Category Archives: The New Mythology

LEO SEASON IN THE BEST SEASON!

Hello, New Mythologists!

The Horsemen: Birth of the Spark – Part Deux campaign is moving along very nicely. Help us  hit our initial goal this week so that we can get to going on those cool STRETCH GOALS we have in store!

If you’re in the Chicago area the weekend of August 5-7, come check out The Horsemen creator Jiba Molei Anderson and Is’nana, The Were-Spider creator Greg Anderson-Elysée at the 12th annual C2E2 held in McCormick Place in downtown Chicago!

The Blaxis unites August 5-7!

Finally, this is the Diamond year for DJ jazintellect AKA the #MeanOlLion as he celebrates his 50th birthday! His annual birthday episode of Ghetto of the Mind is designed to get up out of your seat and celebrate the trials, tribulations, and promise of a better day. Click on the link and let go!

Shine brightly and roar with pride!

With 12 days left in the campaign, we are only $502.00 from our goal. Please don’t wait until the last minute. Let’s make this campaign a huge success by clicking on the link and backing The Horsemen: Birth of the Spark- Part Deux today!

www.griotenterprises.com

STILL RIDING HIGH

As Professor of Media and Cultural Studies at the University of California at Riverside (UCR), John Jennings examines the visual culture of race in various media forms including film, illustrated fiction, and comics and graphic novels. He is also the director of Abrams ComicArts imprint Megascope, which publishes graphic novels focused on the experiences of people of color.   His research interests include the visual culture of Hip Hop, Afrofuturism and politics, Visual Literacy, Horror, and the EthnoGothic, and Speculative Design and its applications to visual rhetoric.

Stories are the first technology and humans live in metaphor. It’s through our myths, our folklore, our culture and our religion that we build an understanding of the world. Long before any type of mediation or distortion of those stories there was the human voice; the power of oral  tradition. There was nothing “lost in translation” because the story, the meaning, the poetry, and the narrative were incarnated in the griot.

The griot is the warrior poet; dedicated to telling the stories that bind us together as a people. It’s for that reason, I feel that the company that Jiba Molei Anderson started two decades ago was aptly named. Griot Enterprises is a shining example of what’s possible when the spoken word becomes the actual and one of those primary actualizations is the amazing comic book series: The Horsemen.

The Catalyst flips the script!

Jiba, like myself, was raised on the enticing and exciting offerings of what was becoming American popular culture. A child of the African Diaspora growing up in the Motor City: Detroit, Michigan, Jiba was surrounded by positive images and ideas around Black stories, music, literature and philosophy. So when he was pursuing his Masters of Fine Arts degree at the School of the Art Institute of Chicago, it only made sense that he would fuse his love for the medium of comics and graphic design into a beautifully radical story world.

If comics are our “modern mythology”, then why do we only show a small sliver of culture in that space? Despite our love for characters like Superman, Thor, Hercules, Captain Marvel, and Wonder Woman they only show so much. The African Diaspora is an amazing spectrum of gods, spirits, and stories that not only translate well into super hero comics but also educate the masses about the rich history of Africa and the diversity of Black identities in the world.

The Trickster gives no fu%ks!

Imagine a team like The Justice League of America, The Avengers or The Uncanny X-Men, but instead of beloved but well-trod paths of adventures focused on primary white protagonists, you get a coalition of characters based on the pantheon of Yoruba gods and goddesses that have chosen “horses” to possess in order to save the world from itself. I’d been researching Voudou when I came across Jiba’s work I had just finished reading  the book The Divine Horsemen: The Living Gods of Haiti by dancer Maya Deren. So, the notion of being “ridden” by ancestral spirits was fresh in my head. I was immediately sucked into the world just by that wonderful connection. 

Jiba’s concept, character design and story arc was truly compelling from day one and now we’re here with The Horsemen being a cornerstone of the Black Age of Comics and the Black Comix Movement! With an unmistakable style and grace, Jiba has taken the power and culture of the Diaspora and reified it into a legendary story that not only pays homage to the ancestors but also celebrates the love for comics culture in ways that have never been explored before. Combining impressive design with clear and engaging storytelling, The Horsemen is a vital part of the global Black Speculative Arts Movement, a part of culturally diverse comics culture, and I am very glad that this book is out there educating the masses.

So please pour some libations and give thanks to this groundbreaking series! Happy 20th anniversary, Jiba, and thanks so much for showing us how to build new worlds through our own culture!

Salute!

The Mermaid reveals her secrets!

With 41% funded, we’re officially at the halfway point in our campaign thanks to our 38 backers to date. Help us get to the 50% line this week when you pre-order The Horsemen: Birth of the Spark today!

THE SLOW BURN

Check out this review of The Horsemen from Wingless Entertainment president Brian J. Lambert!

The Avenger is charged!

Jiba Molei Anderson’s The Horsemen is classified as a superhero comic but make no mistake what we witness is the rebirth of gods.

For those that are new to these deities, while they are given a new treatment, they are well within the constraints of their traditional mythology. Not only that, but Anderson also alludes to their deep history in an easily accessible way.

The Creator triumphant!

The tales weaved before us have multiple layers but they never seem to get bogged down. We enter the world of our story after events in the past have changed the course of history. Evil forces have controlled the world after the war that saw our Horsemen leave the first time.

Their resurgence means that we are at a crossroads. There’s a duality to the story that feels real. The gods are fighting for peace, which itself is a dichotomy. The ruling class attempts to keep the status quo, they fight the prophecy that is born from it. It’s interesting to see gods with subtle gradations of human nature.

The Architect destroys to build!

Another piece of this puzzle that Anderson nails is the shifting narrative. It’s used in movies to great effect and usually less so in comics. But there are jumps from character to character as they are all interviewed and spin one overall story. While doing so, it doesn’t get jumbled or forgotten.

Anderson’s love of music permeates his stories and there’s a rhythm to the tale that easily translated through his words. As the story progresses, we also see how the god-like power of our protagonists ripples throughout other lives. I don’t want to give too much away, but I will say that heavy is the head the wears the crown.

The Light shines!

Anderson’s art is bold and powerful like the characters it represents. There are strong lines and the intensity of the battles (both mental and physical) is translated through the illustrations. You can tell this is a project that Anderson holds near to his heart, not just because of the time he’s dedicated crafting it, but also because of the painstaking way the details are rendered and the story is told.

Jiba Molei Anderson’s Horsemen is a story that opens the door to mythology and comics in a way that’s only been seen recently with the resurgence of Thor from Marvel Comics. Anderson’s fresh and true to culture take on The Horsemen is a breath of fresh air.

35 Backers. 37% funded. Help us get to 50 backers this week when you pre-order The Horsemen: Birth of the Spark today!

THE SPARK IGNITES

“The gods have chosen them to protect humanity from itself…whether humanity wants them to or not. They combat those who control the fate of the planet. Through their actions, the world would never be the same.”

Created by Jiba Molei Anderson, The Horsemen is the saga of seven ordinary people thrust into extraordinary circumstances, as the gods of ancient Africa possess them.

It all began with a dream…

“When the first issue dropped in 2002, I was mad nervous. I didn’t know how this would be received. We sold over 3500 copies through Diamond (which would be major numbers today, still managed to be in Diamond’s top 300 for the month).

The official debut was Motor City Comic Con. That would be the true test. That weekend, we sold out of the box we brought with us to the con by Saturday. I had to go back to my mom’s crib in  to pick up another box and we almost sold through that one by Sunday.

The biggest proof of concept came when I was trying to sell a copy to someone who already grabbed it at his LCS. He was not my target audience, but said it was the best book he had read that week.

I also met, and shook, Billy Dee Williams hand that weekend…”

– Jiba Molei Anderson

With the release of the Divine Intervention first issue in 2002, The Horsemen became a pioneer of the Afrofuturism movement in comics by using the Orishas as the basis for the superhero mythology.

20 years of The New Mythology… It’s a celebration!

The groundbreaking series celebrates its 20th anniversary with The Horsemen: Birth of the Spark!

“In 1995, I moved to Chicago and received my MFA in Visual Communication from the School of the Art Institute of Chicago. It was at SAIC when I understood that the creation of comic books were an exercise in graphic design with script, illustration, layout, color story, etc. all components of the overall product.

My thesis project was going to be a book on the history of African American superheroes and linking them with the Orishas of the Yoruba faith as it were one of the religions that survived the Trans-Atlantic Slave Trade through “hiding in plain sight” as it were.

This thesis project was the birth, and first appearance, of The Horsemen…”

– Jiba Molei Anderson

Written and Illustrated by Jiba Molei Anderson, The Horsemen: Birth of the Spark is an 80-page, 8.5″ X 11″ “Treasury-sized” volume, which continues the New Mythology saga with four stories filled with metaphysical intrigue, psychedelic locales, and pure AfroFantastic action!

The first Orisha makes her entrance and commands your respect.

The Elder Champions of Creation face their greatest challenge in The Consonance: Revelations!

The Claw of Akebulan. The Sage of Gaia. Daughters of the Lion and the Grace. Mothers to the Scions of the Avenger.

Discover the truth behind the emergence of the Orisha in The First Iteration!

The bill comes due as The Horsemen come face to face with humanity’s spiritual rot.

The Horsemen battle humanity’s psychic decay in the Birth of the Spark!

Witness a reinterpretation of the very first Horsemen story published in the now-legendary 1999 Griot Preview Book by The Horsemen: Manifest Destiny variant cover artist Aries Art!

Ogun illustrated by Black Comix legend Shawn Allyene.

The Horsemen: Birth of the Spark will also feature three pin-ups by indie comics legend Shawn Alleyne, articles by Wingless Entertainment founder Brian J. Lambert & scholar Lisa Kottas with a foreword by the co-architect of the Black Comix movement, John Jennings (Kindred, Parable of the Sower, Black Kirby) plus plenty of bonus materials celebrating this momentous milestone!

20 years ago, the world was introduced to The Horsemen and a world filled wonder, mystery, and grandeur told through a Pan-African lens. In doing so, The Horsemen helped change the climate in the comic book industry. Come and help us raise a glass and give cheers by entering The New Mythology on June 6, 2022!

The Horsemen: Birth of the Spark Kickstarter

IT BEARS REPEATING…

The Horsemen is the culmination of the journey to find my voice as an artist and storyteller.

I’ve been a student of mythology since first seeing Clash of the Titans in 1981. I read the Greek myths, the Norse myths, Egyptians and so on. Around the age of 16, I started studying the myths and folktales of Africa and decided that I wanted to create a series of illustrations based on the gods and goddesses of various regions.

The conflict between the gods of myth was established at the beginning…

I created a concept called The Race in 1993. The Race were the descendants of the heroes and demigods of mythology. These descendants had a recessive gene that, when activated through either proximity or severe trauma, would gain super powers. They were pawns in a war between two gods, Exodus and Othello. Whosever side they joined would tip the scales of the war in either god’s favor.

Also during that time, I created another concept called Jom & Aida based on not only African mythology and African cinema, but also the opera Aida as performed by Leontyne Price, which was the story of an Egyptian princess. I wanted to use the idea of death and rebirth as the central theme.

These concepts never came together…

…Until 1997.

The children of gods and monsters. B/W vs. the Color art for the “Birth of a Nation” chapter in The Horsemen: Manifest Destiny

I was developing my graduate thesis at the School of the Art Institute of Chicago; writing, designing, and illustrating a book on the history of African American super heroes and their connection to the gods and goddesses of Africa. I had taken a class on Afro-Caribbean art and rituals, which exposed me to religions like Vodou, Santeria, and Candomblé. It also exposed me to the African root faith systems of these religions, most notably the Ifa faith of Nigeria.

Finally! This was my chance to do those African god illustrations I had always wanted to create! The book was going to be called The New Mythology. I used the names of seven Yoruba gods, the Orishas, and their aspects as the chapter titles for the book. But when I got around to actually developing my depiction of the Orisha, I realized that I couldn’t illustrate them in traditional African dress.

It was a book about super heroes and the Orishas had to be illustrated as such. I delved into creating these super heroic interpretations of these gods. Jack Kirby’s reimagining of Norse mythology was my inspiration. As the thesis took shape, I realized that I did not want to let these designs exist only for a thesis only a few people would see in a graduate exhibition and nothing else. These characters would become my official entry into the comic book industry.

Ogun, the Lord of the Forge! B/W vs. the Color art for the “One Day War” chapter in The Horsemen: Manifest Destiny

But, what do I call them?

I remembered the title of a book that I had to read for the Afro Caribbean Art and Ritual class; The Divine Horsemen by Maya Deren. I dropped the “Divine” and the rest, they say, is history. As for the book’s premise, thank DJ Krush. On the title track of his album, Meiso, Black Thought of the mighty Roots Crew said these fateful words:

“Who controls the eight immortals, but the number seven, in this continual maze?”

The eight immortals became the Deitis, with Exodus and Othello among them. The Race (now called The Manifest thanks to Mark of the Cloven writer Jude W. Mire), Jom, and Aida folded into this new universe, this New Mythology.

The New Mythology Saga. Retailers and readers can grab the entire series for their bookshelves when they donate to campaign!

66 backers. 78% funded. With only 7 days left in our campaign, we are a mere $1050.00 from reaching our goal. Help The Horsemen reach their Manifest Destiny by donating to our Kickstarter today!

www.griotenterprises.com

A PIONEER OF AFROFUTURISM?

I was asked this question recently:

“How does it feel to be an Afrofuturism pioneer in the comics space”?

It feels a little weird honestly. When I created The Horsemen way back in 1997, I was looking to fill a hole and make my mark in the comic book industry. I was inspired by the pioneers of the Black Age of Comics in the 90s. Milestone Media, Brotherman and Tribe showed me the value in carving a space that didn’t really exist before. It just so happened that I was influenced by science fiction, politics and mythology. It just so happened that I wanted to infuse the world I was creating with a West African / African American sensibility.

The Consonance. The Horsemen, The Manifest. Three generations of heroes sharing one destiny…

The Horsemen reflects my worldview. I wanted to show a very modern Africa, I was extremely tired of the “famine and underdeveloped” narrative that the continent is saddled with in this country. I also wanted to address the problems that Post-Colonialism left behind on the continent as well.

I wanted the world of The Horsemen to feel real, free from the mythology of Afrocentrism and its adherence to Egyptology.

I’ve always been a fan of alternate dimensions and, mythology is great tool in exploring that concept. Unlike the Marvel Universe, which treats the gods of myth as aliens from other planets, I prefer to think of mythological beings as realized potential if certain roads were traveled as opposed to others. In the broadest of strokes, you could link my work to Jonathan Hickman (East of West) or Rick Reminder (Black Science) even though The Horsemen precede both of those titles by a good number of years.

The Horsemen was Afrofuturism before the term was coined.


The Hordes of Ragnarök, The Deitis, and The Cloven. They are set on ruling the world… Or bring about its destruction.

The word Afrofuturism didn’t really enter my radar until 2005 though it had been around since 1995 or so. I was just doing my thing. I even tried to separate what I was doing from what I thought was a certain aesthetic. Eventually, I had to admit to myself that I was an Afrofuturist, which didn’t happen until, like, 2014. So, even though one could call me a “pioneer,” it’s still taking some time for me to accept that appellation…

But I’m getting used to it.

Are you a Defender of Creation? Or do you pledge you allegiance to the Agents of Oblivion? If we exceed our initial goal and raise $6000.00, all backers will receive these 24” X 30” print-ready PDFs featuring the heroes and villains of the Horsemen Universe. We’re 35% funded with 16 days left in our campaign. help The Horsemen reach their Manifest Destiny by pledging to our Kickstarter today!

www.griotenterprises.com

THE HORSEMEN RETURN TO FULFILL THEIR MANIFEST DESTINY

“The gods have chosen them to protect humanity from itself…whether humanity wants them to or not. They combat those who control the fate of the planet. Through their actions, the world would never be the same.”

The New Mythology saga

Created by Jiba Molei Anderson, The Horsemen is the saga of seven ordinary people thrust into extraordinary circumstances, as the gods of ancient Africa possess them.

With the release of the Divine Intervention first issue in 2002, The Horsemen became a pioneer of the Afrofuturism movement in comics by using the Orishas as the basis for the superhero mythology.

 “I wanted to work with a different faith system, a system that when The Horsemen was created, no one, I mean no one, was thinking of.  No one was thinking of using the Orishas as a launch point for a comic book world at that time.”

– Jiba Molei Anderson

The Horsemen would go on to become a critical success and has generated a cult following. Its fan base would include Hollywood talents such as Tony Todd (Candyman, Star Trek DS9) and Sean Astin (Lord of the Rings, Stranger Things) and comic book royalty like the late Dwayne McDuffie (Justice League Unlimited, Milestone Media).

Also, The Horsemen has made an educational and historical impact being included in a long-running exhibition at the Smithsonian National Museum of African Art as a small example.

The Horsemen: Manifest Destiny (standard cover)

The next installment of The New Mythology, The Horsemen: Manifest Destiny is a 64-page journey of three tales that continues to chronicle the past, present, and future of the Horsemen Universe!

Ogun: Season of Ice (written by Kofi Malik Boone)

Written by Kofi Malik Boone, Ogun: Season of Ice tells an early tale of the Master of Iron as he defends a newly – freed people from the wrath of the sinister Mbwari!

The Horsemen: The One Day War

Witness the psychic death of a nation’s mythic identity as The One Day War tells the story of what happens to those who choose violence against The Horsemen!

The Manifest: Birth of a Nation

In Birth Of A Nation, a new race rises from the ashes of an apocalypse. They are not Orisha nor are they Deitis. They are the Manifest and they are all that stand between Creation and the forces of Ragnarök!

Géroux Noél-maxence Aurèle. Kenjji Jumanne-Marshall. Sean Damien Hill. These are the three premiere artists in the Black Comix community, along with series creator Jiba Molei Anderson, who will be providing exclusive variant covers for this Kickstarter. Check out this cover from the good Mister Hill to show you how we do things!

Kenjji Jumanne-Marshall (WitchDoctor, Teen Wolf) lends his skills to creating a cover for The Horsemen: Manifest Destiny!
Rising star and Mega Universe architect Géroux Noél-maxence Aurèle AKA Neon Pen will grace us with a cover as well!
The Horsemen: Manifest Destiny variant cover by Sean Damien Hill (The Hated, The Crossing, Luke Cage)!
This variant cover by Jiba Molei Anderson will also be Griot Enterprises’ first NFT available in the “Consonance” tier of rewards!

Check out some of the good will the book has generated over the years:

“The characters of Shango, Eshu, Ogun, Oya, Oshun, Yemaya and Obatala are beautifully drawn and characterized according to their personas in the Ifa pantheon. The scenes featuring enforcers of divine will is exciting and action filled, with little dialogue on their part which adds a welcome bit of mystery to them.”

– Ra’Chaun Rogers

Griot Enterprises is a proud member of the Blaxis. All retailer rewards will receive a poster featuring members of the New Standard in comics!

“The Horsemen series is a slow burn. It’s something to be enjoyed over time as a true epic should.”

– Brian Wycoff

“Anderson’s tale however is no superhero story created with the goal to ‘merely’ entertain his readers but to challenge them to a battle. If one engages in Anderson’s battle and in turn recognizes The Horsemen’s Hip-Hop aesthetics, the ‘mere’ superhero comic unfolds a variety of layers of meaning.”

– Lisa Kottas

With Manifest Destiny, our goal is to take The Horsemen to the next level from cult classic to wide audience hit. Come along for the ride when the Kickstarter campaign for The Horsemen: Manifest Destiny, written and illustrated by Jiba Molei Anderson (with Kofi Malik Boone), and become a part of The New Mythology on August 17!

www.griotenterprises.com

Don’t Call It A Comeback: The Horsemen Have Returned To Save Us All

THE HORSEMEN: DIVINE INTERVENTION (20th Anniversary Edition)

ISBN: 978-1941958001

120 pgs. • $24.99 (print) • $9.99 (digital)

Written and Created by: Jiba Molei Anderson

Pencilled by: Jiba Molei Anderson, MCL

Inked by: MCL, Patrick Brower

Colored by: Digital Broome, Eric Pence

HorsemenG20Cover(FinalFrontCoverWeb)
The first family of Afrofuturism in comics…

Griot Enterprises is celebrating 20 years of publication with the 20th anniversary release of The Horsemen: Divine Intervention.

Created, written and illustrated by Jiba Molei Anderson, The Horsemen is the saga of seven ordinary people thrust into extraordinary circumstances, as the gods of ancient Africa possess them. The gods have chosen them to protect humanity from itself…whether humanity wants them to or not. They combat those who control the fate of the planet. Through their actions, the world would never be the same.

“I wanted The Horsemen to reflect my worldview,” Anderson explains. “I was tired of the ‘famine and underdeveloped’ narrative that the continent is saddled with in the United Sates,” Anderson explains. “I also wanted to address the problems that Post-Colonialism left behind on the continent as well.”

With the release of the first issue in 2002, The Horsemen became a pioneer of the Afrofuturism movement in comics by using the Orishas as the basis for the superhero mythology. “I wanted to work with a different faith system, a system that when The Horsemen was created, no one, I mean no one, was thinking of,” Anderson says. “No one was thinking of using the Yoruba religion and its deities, the Orishas as a launch point for a comic book world at that time.”

Declaration(Web)
They have returned to save us all… Whether we want it or not…

The Horsemen would go on to become a critical, if not financial, success. Its fan base would include Hollywood talents such as Tony Todd (Candyman, Star Trek DS9 and Sean Astin (Lord of the Rings, Stranger Things) and comic book royalty like the late Dwayne McDuffie (Justice League Unlimited, Milestone Media). In addition, The Horsemen and Griot Enterprises served as the link between the independent Black Comix scene of the 90s (Brotherman, Tribe) and 21st Century renaissance currently happening in the industry with books like Niobe: She Is Life, Is’nana: The Were-Spider, Black and the entire Catalyst Prime imprint.

“We have seen many great African American superheroes in comics,
but we never saw an iconic African American superhero team,” Anderson continues. “We didn’t have our Justice League, our Avengers. We, as comic book fans of color, young and old, didn’t have a universe where our heroes reside…

… Griot Enterprises fills that void.”

The Horsemen: Divine Intervention is available at Amazon, Comixology, Drive Thru Comics, IndyPlanet and Peep Game Comix in print and digital formats. In addition, Griot Enterprises is running a GoFundMe campaign to help fund the company’s 2018 convention schedule.

Please contact www.griotenterprises.com for inquiries and more information.

Hope Vs. Hard Truth: How Do You Eat A Whale?

This was written by my good friend and collaborator on The Horsemen: Mark of the Cloven Jude W Mire… Peep game.

I’m behind deadline on Issue Four. Part of it is due to visiting relatives, busy summer schedule, and the day-to-day of trying to write around running a business and having three daughters.

Another part of it goes a lot deeper.

The first act of The Horsemen: Mark of the Cloven in all its glory!
The first act of The Horsemen: Mark of the Cloven in all its glory!

To fill you in, in case you don’t know, I’m working for Griot Enterprises on writing a serial novel set in the comic book world of The Horsemen created by Jiba Molei Anderson. It’s a black comic (not an African American comic. If you don’t know the difference, message me).

Now, in this comic, the Horsemen, a group of super-heroes from Detroit, imbued with the powers of Yoruba gods, destroy a portion of Nigeria, unify Africa, and start building a technological utopia there. The U.S. has become repressive, outlaws emigration, and is basically a police state.

Where do they build this utopia? Right next to the crater of the city they destroyed to wake up Africa. A place they considered the epicenter of the continents problems and wiped out; Abuja. You know Abuja? Of course you don’t. What Americans really know the names of cities in Africa? I’ll give you something you do know though.

Bring back our girls.

Chapter one: Yemaya has no enemies... Only patients...
Chapter one: Yemaya has no enemies… Only patients…

We put our fictional city that represents hope; literally, on the same place that Boko Haram militants went and stole almost 300 girls from their school. When the news came about what happened I recognized all the places. Where the school was, where they’d been taken, where the military was ineffectually responding from, all because of my researching the region for the book months earlier. And now, while I was writing about an idealistic dream for Africa they were simultaneously being raped, beaten, and sold into slavery. The dream and the reality are so very, very far apart. It was excruciating. More than half the characters in the Horsemen are women. Brave, intelligent, funny, amazing fictional women, meant to inspire girls, specifically black girls. Like the ones that were taken. Girls not so different from my own daughters.

Chapter Three, which I wrote during that crisis, was incredibly hard to write. The sadness, the desire for the world to be different, to change things, was difficult to deal with. I pushed through it and Jiba and I made the best issue of the series so far. Then I moved into Issue Four.

Eshu and a Chicago cop partner up to deal with a problem with the Underground Railroad leading to Africa. So in the previous issue, I was writing in Abuja when the girls were kidnapped. This issue, I was writing a white cop protagonist when Ferguson explodes. And I’m transfixed. What the fuck is going on? To say that I’m stunned is an understatement. Jiba and I created a proto-military America as an exaggeration! A goddamned example of an extreme to illustrate a problem. But for some reason, here it is, happening for real. Reality just caught up with our doomsday vision of America. Oh sure, not entirely, but here, in the microcosm of Ferguson, I’m watching what we created as the terrible future manifest itself. The same horrible thing that the Horsemen created hope in Africa to counter. And again, the dream collides with reality.

Chapter two: If you think Ogun's strength lies with his body... You're wrong...
Chapter two: If you think Ogun’s strength lies with his body… You’re wrong…

As an author, I want to create things that mean something. Jiba likes to say, Everything I create is protest art. As a black man surrounded by a white industry, he’s absolutely right. I, on the other hand, don’t automatically create protest art just by creating. I’m not a woman, or a minority, and there’s no shortage of guys like me creating all manner of stuff all the time. I’ve got to do it intentionally. While many of my short stories are “fluff” and lack themes, overall, the work I’m most proud of are the stories that illustrate the human condition, make a statement, or reveal something about ourselves. It’s one of the things that has always drawn me to horror writing. Much of the human psyche is governed by fear and horror allows a writer to poke the uncomfortable areas. It inspires self-introspection, growth, and awareness. It’s why, despite being very different subject matter, I was drawn to the Horsemen. It does the same. For some reason I thought it would be easier than horror. I was dead wrong.

For as difficult as they are to write, at the end of the day, horror stories are personal. The difference with the Horsemen is that it’s personal and cultural and global. A personal fear or issue is yours to control. Cultural? Global? That shit is out of your hands. Those horrors remain. They’re real. They stand in the world and point guns at you, steal your children, and fire tear gas. The best you can do is band together with others and hope to god you gather enough of you to fight them, because alone? Alone, they swallow you. They bury you. They end you.

It can really make you want to quit. It feels futile, hopeless, like tossing pennies into the Grand Canyon to make a bridge. It is so small in the face of the real world. Next issue has to do with prisons. I don’t even want to guess how the real world intersection might happen there because the American prison system is already a terrible thing.

Chapter three: Oshun knows the difference between belief and worship...
Chapter three: Oshun knows the difference between belief and worship…

But no matter how small it is this book Jiba and I are writing is fantastic. It promotes diversity, inspires hope, busts stereotypes, and all of that is good. Seriously good. Whatever comes, Jiba and I aren’t stopping this project. This protest. It doesn’t matter how big the tide of darkness reality swells over us or how wide the canyon is that needs crossing. You don’t stop fighting just because your opponent is bigger than you. This world makes me sad and angry and vengeful and the tools I have to combat it are tiny but you can bet your ass I’m going to use them. How do I keep going when the beasts of mass rape, police murder, and civil injustice smash your hope? You get stubborn.

I just keep telling myself; “How do you eat a whale?”

“One bite at a time”.

Listen up, y’all… Yours truly will be in Detroit, MI September 20 at the M.E.C.C.A. Con signing copies of The Horsemen: Divine Intervention, current issues of The Horsemen: Mark of the Cloven and my limited edition art book Chronicle: The Art of Jiba Molei Anderson. I’ll also have have prints for sale and some cool freebies for the cheap folks to cop. Hope to see some of my Detroit brethren that weekend… Cheers!

The Horsemen: Divine Intervention
The Horsemen: Divine Intervention

Chronicle: The Art of Jiba Molei Anderson
Chronicle: The Art of Jiba Molei Anderson

http://www.griotenterprises.com
http://www.judemire.com

You’ve Been Marked…

The first act of The Horsemen: Mark of the Cloven in all its glory!
The first act of The Horsemen: Mark of the Cloven in all its glory!

What’s happening!

The Horsemen: Mark of the Cloven is in full swing with the third issue of the illustrated novel by Jiba Molei Anderson and Jude W. Mire out now! Here’s a little re-cap of what you might have missed…

America is in the grip of a crippling depression. Africa has become the land of opportunity. The bastard children of the Deitis want to take what the Horsemen have created. They want to leave their mark, the Mark of the Cloven, on the world.

Chapter One: Cripples' Deluge
Chapter One: Cripples’ Deluge

Chapter One: Cripples’ Deluge
A favor for Eshu goes wrong and Yemaya comes face to face with a trio of dangerous foes… The next chapter of The New Mythology begins here with this nine-part illustrated novel!

Chapter Two: Plague's Ransom
Chapter Two: Plague’s Ransom

Chapter Two: Plague’s Ransom
New enemies threaten the African Union as Ogun faces a threat that will take more than muscle to defeat.

Chapter Three: Divinity's Knell
Chapter Three: Divinity’s Knell

Chapter Three: Divinity’s Knell
Oshun has an old love interest return with ties to a cult that worships the Horsemen. When the cult splits into two rival factions, nothing is what it seems and Oshun must discover the truth behind a dangerous plot.

All three issues are available NOW at IndyPlanet, Amazon and DriveThruComics. Pick up your copies today!

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