Captain America: Civil War…
It is very hard… very hard for me to give this kind of assessment. I’m tighter with ratings than The Source used to be. With that being said, this is a 5-mic film. Any criticism would be some extreme nit-pickiness bull-caca. Anyone fronting on this movie is a hater, plain and simple…
I feel those fans who find criticism complain about the what-iffery of certain elements in the film, great elements that bring color to the narrative, not coming to fruition even though they weren’t supposed to. A few points (SPOILER-ALERT):
1.) I appreciate that at the end of the day, the “Civil War” was a very personal conflict that dealt with the loss of families (Zemo’s, Stark’s & T’Challa’s)
2.) That Zemo, basically Bin Laden-style, did to the Avengers that Loki, Ultron and Hydra couldn’t do… Destroy them.
3.) Because of the personal nature of the story, we didn’t need to see those other Winter Soldiers in action against our titular heroes. Then, it would have been Universal Soldier: Regeneration wasting the emotional currency, which drives the film.
4.) Storytelling was on point. Things followed through logically and I felt that all of the important elements in the film had organic conclusions. Even with Spider-Man’s inclusion at the eleventh hour didn’t feel tacked on and yes, just like Jon Bernthal made the Punisher his character, Tom Holland IS Peter Parker. And, I am a big fan of Marisa Tomei as a modern Aunt May. There were no plot holes.
5.) CW was a sequel for two movies, Captain America: Winter Soldier and the Avengers: Age of Ultron, and a fine one for both.
6.) Everything made sense. Everyone was true to character. Every character had their moment to shine. The battles were top-notch with each character’s physical language as unique as the character themselves.
7.) CW is the rare instance that the film was better than the mini-series… Yeah, I said it. Also, remember that Thor and the Hulk weren’t around during the mini-series either.
8.) Just the hint of the Dora Milaje, along with the taste of Wakanda was enough for me. I’m gonna get all that goodness in the Black Panther solo film.
9.) According to Dwayne McDuffie’s Rule of Three, this is the MCU’s Blackest movie to date… And it was so on point with the diversity and agency of Black folks from Alfre Woodard’s brief, but crucial scene, to War Machine, the Falcon and, of course… This is the rare movie I would pay full price to see again in the theatre… Immediately.
10.) The secret sauce in making this delicious meal is Nate Moore as Executive Producer for the MCU. Yes, the characters would have been there eventually, but having a brother as an exec. producer helped to ensure that said characters did not come off as stereotypical ciphers, but rather fully realized people making their ethnicity natural, yet crucial in the MCU.
Realize, there is no one representation of “Blackness” in the MCU, nor do we just add color to the background. From War Machine to the Falcon to BP to Nick Fury, etc., each character is unique, each character has agency, each character is authentically Black in their own way.
Brother Moore has made sure that we haven’t been seen as a monolith, but in a rich tapestry more in line with how we really are as opposed to how the Other often portrays us.
These reasons, and more which I’ve mentioned in previous posts, is why not only is Captain America: Civil War a more satisfying film-going experience than Batman Vs. Superman: Dawn of Justice, but also why Marvel has all but decimated the DCCU.
Quite simply, Marvel trusts and cares about their properties, DC does not. Marvel has been playing chess in unfolding their universe, taking time to craft their cinematic universe so that it has the same resonance as the comic book universe.
DC has been playing checkers, rushing product and blowing their wad repeatedly on half-baked measures which treat their properties as cash-grab ciphers rather than respecting the history and mythology of the characters to craft tales which speak to the human condition using the superhero as an analogy to inspire and make us seek out our better selves.
Here’s something to chew on: when people start writing think pieces on your film discussing the deeper ramifications of what your heroes represent in the larger world context rather than judging success or failure of your project based on how much money it makes, you’ve made a better film. When you respect not only your hard-core fanbase, but also can make your properties resonate with the casual viewer, you’ve made a better film. When you focus on storytelling rather than spectacle, you’ve made a better film. And, said film is steadily going to make a lot of money rather than suffering a near-90% drop in viewership the second week of release.
Personal point of order… A few years ago, I got caught up in a what-iffery tread about a potential (at the time) Black Panther movie in which I broke down how I felt Wakandan self-image should be portrayed.
Then, Captain America: Civil War.
It’s like the Russo Brothers read my mind. For about 35 seconds, I thought: “Man, I may not have to do The Horsemen anymore…”
Then, I got out of my fanboy phase and became even more inspired to make more work.
Trust, that is the highest of praise.
So, I’ve never fallen into one camp when it came to the “Corporate Two.” I loved DC’s icons and Marvel’s B-list. But, after Daredevil: Season Two, Jessica Jones, Captain America: Civil War and the upcoming Luke Cage…
Cinematically, Make Mine Marvel.